Avengers/JLA (September-December 2003)

Tags

Captain America, Captain Atom, Firestorm, Galactus, George Pérez, Green Arrow, Green Lantern (Kyle Rayner), Hawkeye, Iron Man, Kurt Busiek, Modern Age Captain Atom, Photon, Plastic Man, Red Tornado, Superman, The Avengers, The Wasp, Thor, Tom Smith, Yellowjacket

from Avengers/JLA #2

Well, it was bound to happen eventually.  JLA/Avengers (alternatively Avengers/JLA) was a four-issue limited series showcasing one of the first in-continuity meetings of DC Comics’ Justice League of America and the Marvel Comics’ Avengers. The two universe’s heroes had previously met in Amalgam Comics.  The mini-series was published in the 48-page Prestige Format.  Issues #1 and #3 were published by Marvel Comics under the title JLA/Avengers while issues #2 and #4 were published by DC Comics with the title “Avengers/JLA.”

The series was written by Kurt Busiek with pencils and inks by the great George Pérez and colors by Tom Smith.

They didn’t just throw the core members of each team at each other; many “fringe” members made appearances.  Captain Atom, Firestorm, and Red Tornado, for example.  It was a fun mini-series that I’m sure delighted and angered fanboys (and fangirls) in equal measure.  I thought it was great, but did have a “what the…?” moment in issue #2 when Captain Atom was taken down by Hawkeye.

from Avengers/JLA #2

Now, I don’t have a problem with Iron Man besting Green Arrow.  It would stand to reason that Tony Stark’s tech would outdo Oliver Queen’s.  The obvious choice would have been to have Hawkeye face off with Green Arrow, but I like that Busiek didn’t always go with the obvious choice.  But Hawkeye taking down Captain Atom?  Really?  Cap does recover, though.  I mean, it was just Hawkeye.

But then he is blasted by the Wasp and Yellowjacket.  They do no lasting damage, as Cap and Firestorm are seen later on in the fight saving Green Lantern Kyle Rayner from Photon, who had absorbed the Green Lantern energy.  She blasts them with this energy.  The Wasp, by this time, has moved on to try and take down Plastic Man.

from Avengers/JLA #2

from Avengers/JLA #2

Firestorm and Captain Atom later combine their energies with Photon to try and take down Galactus.  This attempt is most likely in vain, as Galactus is a god-like figure that feeds from draining living planets of all their energy.

Captain Atom isn’t seen again until Avengers/JLA #4, where he and many other DC & Marvel heroes are fighting an army of super-villains.  Presumably he made it out alive but he isn’t seen again in this final issue.

This series was pretty awesome.  The premise of these characters getting together is flimsy, but the execution is beautiful.  George Pérez is in his element, and he gives this series a Crisis on Infinite Earths feel.  And Superman is totally badass wielding Thor’s hammer and Captain America’s shield.  I give this whole series an A for story and an A+++ for art.  Just look at that last panel.  George Pérez is a genius talent.

from Avengers/JLA #4

Advertisements

Captain Atom #13 (February 1988)

Tags

Bob Smith, Captain Atom, Cary Bates, Chester King, Duncan Andrews, Enemy Ace, General Eiling, Greg Weisman, Harris Eiling, Margaret Eiling/Peggy Adam, Martin Allard, Modern Age Captain Atom, Nansi Hoolahan, Nightshade, Pat Broderick, Randall Eiling/Randy Adam

“We Three Kings”

• Writers:  Cary Bates & Greg Weisman
• Pencils:  Pat Broderick
• Inks:  Bob Smith
• Colors:  Nansi Hoolahan
• Letters:  Duncan Andrews

So this is Christmas for Captain Atom.  Morose and bittersweet.  I know a lot of Captain Atom fans are not Christian and do not necessarily celebrate December 25 as the birth of Christ, but Nathaniel Adam was raised Catholic.  So I apologize to anyone if they find anything about this post offensive, but I assure you I am not another pig-headed American trying to force his own religion or politics down anyone’s throat.  I see this as just a plot device.

For those of you who are Christian, I wish you a happy Christmas.  To those of you who aren’t, but still celebrate Christmas, a happy Christmas to you as well.  Also, happy Hanukkah, Kwanzaa, Festivus, Boxing Day, Day of Goodwill, Slovenia Independence and Unity Day, HumanLight, and whatever significance this time of the year holds for you.

This issue of Captain Atom, cover dated March 1988, hit the spinner rack on December 8, 1987.  It introduced two new supporting cast members (Chester King and Harris Eling [the first Eiling I’ve actually genuinely liked]), and reunited Captain Atom with his old Charlton partner and girlfriend Nightshade (Eve Eden).  It also featured Enemy Ace, a strange character to be found in a Captain Atom book, but it works.

This issue opens with Nate standing on a bridge in a snowy park overlooking a small body of water on Christmas Eve.  He chucks his “Cameron Scott” ID into the water.  In Captain Atom Annual #1, Nate resigned from the Air Force.  He cut all ties with General Eiling, Dr. Megala, Lieutenant Allard, Major Force, and all the other knuckleheads associated with the Captain Atom Project.  But he’s still using the fake identity they provided him with.

Nate feels he is truly free of Eiling.  The General has been keeping Adam in line by threatening to tell Peggy and Randy the truth about their father.  But now Nate feels he has a card that trumps Eiling’s – Major Force.

Noting that the snow makes visibility in the park nearly zero, Nate transforms into Captain Atom, burning away his Air Force uniform in the process, and flies away.

Meanwhile, at his father’s home, General Eiling is stoking his fireplace and thinking about Captain Atom and Major Force.  He knows Nate thinks he has dirt on him, but Eiling also knows he still has dirt on Nate.  Captain Atom is the one, after all, who told the world Major Force’s “origin story.”  Nate can’t reveal the lie without admitting his own guilt.  And that would eventually unravel Captain Atom’s own story – the “big lie.”

So lost in thought is General Eiling that he does not hear his father calling him.  Harris (Eiling’s father) wants to know why his son is so preoccupied.  But Eiling tells his father he can’t discuss “matters pertaining to national security.”  Harris asks his son to try and put his worries aside so that they – and Randy and Peggy – can have a happy holiday.

Back in his apartment (probably in Washington, DC), Nate is going through his bills.  On the coffee table in front of him is the saddest looking Charlie Brown Christmas tree. The apartment is littered with bachelor trash and empty cans (but fear not, Captain Atom fans, it appears Nate has been binge-drinking soda – not beer).  His bank account is dwindling, his friends and family are all out of town, his wife is dead, and he’s sad and alone on Christmas Eve.  But he looks at the bright side – Eiling is no longer in his life.

At this point in the story we meet Chester King.  He’s a young, handsome, happy young man.  He’s on a pay phone with his wife, telling her he has to work late on Christmas Eve for “Mr. Wiley.”  He says he just has to run an errand for his boss and he’ll come straight home.  His wife, a beautiful raven-hared woman in a skimpy outfit, says she’ll keep the egg nog warm for him (gross).  Then Chester calls Mr. Wiley, thanking him for the generous bonus his employer has given him.  Mr. Wiley tells Chester that “the incendiary device” is identical to the type used by the “Black Cougars.”  (The Black Cougars must be the DCU equivalent of the Black Panthers.)

“When the tenement goes up,” assures Chester, “[The Black Cougars] will get all the blame… and you’ll get all the insurance benefits.”

So this “Mr. Wiley” and Chester are involved in some sort of insurance fraud scam.  Chester hangs up the pay phone and is approached by a homeless man who says his name is Bubba.  He asks Chester for a quarter and Chester gives Bubba a wad of bills.

Back at the Eiling house, Randy and Peggy are frolicking in the snow while Harris watches from a window.  He tells General Eiling it reminds him of the first Christmas he spent with them after his son married Angela Adam.  Harris quickly realizes his son isn’t listening to him; he is on the phone with Allard.  General Eiling shoos his father out of the room, citing “national security” again.

Next we see Nate walking the streets of D.C. (and he identifies it as Washington, D.C., so mystery solved!) in a foul mood.  He has no one to spend the holiday with, thinking to himself that even Dr. Megala and Babylon are with friends.  He is also approached by the homeless Bubba, asking him for a dollar.  Nate gives Bubba a quarter, saying it is all he can spare.

Chester King, meanwhile, is breaking into the abandoned tenement, setting the explosives while thinking to himself how happy his wife is going to be with his bonus and a surprise trip to the Bahamas.  He refers to the condemned building as “the Dixie,” and that it is an eyesore anyway.

Bubba and his homeless brethren are enjoying a bit of liquor around their barrel fire and a Christmas tree that is even more pathetic than Nate’s.  Bubba’s friends ask if he has somewhere better to be.  To this, Bubba replies, “Better than this?  There was a time… when only the creme de la creme of the rich and famous could even get into the ballroom of the Dixie Hotel on the night before Christmas.”

Chester bursts into his favorite watering hole, Smitty’s Bar, buying a round for everyone there.  In a dark corner sits the morose Nathaniel Adam, feeling out of place.  Even here, in a bar, we don’t see Nate drinking alcohol or beer.  I guess it wasn’t super-hero-like to be depressed and drinking.  But didn’t Tony Stark (Iron Man) have a well-documented drinking problem?  Not to mention Green Arrow’s pal Speedy being a heroin junkie.  I guess Bates and Weisman wanted to keep Captain Atom light by not showing him drinking.  However, he is clearly holding a beer on the cover.  I’m overthinking this.

Back at the Eiling house, Harris is regaling Peggy and Randy with a tale from his own RAF days.  Stuck in the skies over Germany in World War I with a fuel leak in his Nieuport 10, Harris encountered Hans von Hammer – a.k.a Enemy Ace.  Faulty plane or not, Harris couldn’t pass up a chance to shoot down the German who had racked up “close to 70 kills since the war began.”  Von Hammer, in a brilliant aerial maneuver, looped over Harris and became the pursuer rather than the pursued.  But Enemy Ace never fired on Harris Eiling.  He saw that the Nieuport was disabled and let the RAF pilot go.  He even gave Eiling a salute.  It was against his “battle code” to take down a disabled opponent.  But Harris didn’t live by the same code, and fired on Enemy Ace with his sidearm in vain.  Later in life, he regretted taking those shots.  He felt it was dishonorable.

General Eiling gets really pissed off by his father’s revelation.  He calls it the biggest load of crap he’s ever heard.  He says his father has gone soft and is senile.  He storms out into the snow without putting on a coat.

At Smitty’s Bar, a man crashes in, saying the old Dixie Hotel is on fire.  The patrons go out to watch the fire.  Someone comments on “those poor squatters.”  This alarms Chester.  Mr. Wiley never mentioned squatters.  The onlookers try to organize a rescue but don’t know what they can do.  Except one of those onlookers knows exactly what to do – Nathaniel Adam.

As Nate ducks into an alley to do his super-hero switcheroo, Chester sees a man on fire run from the building.  He throws the man into the snow, smothering the flames with his coat.  With horror, Chester realizes the man is Bubba, and watches him die.  That is when the full scope of what he’s done hits him.  His friends pull him away from Bubba just as Captain Atom bursts on the scene.

Nate thinks to himself that, even though he’s been super-heroing for over a year, this feels like his first time out.  He protects some of the squatters from falling debris before absorbing the smoke and flames.

At the Eiling house, the General is holding his hand over the flame in the fireplace.  He tells his father he will not tolerate any more “weak-willed molly-coddling” in front of his children – especially Randy.  Neither the General nor his father realize that Randy is listening to their conversation, looking a little distressed.

In D.C., firefighters are finishing up at the Dixie.  One of the men returns Chester’s coat, calling Bubba a “bum,”which angers Chester.  He walks home, despondent over what he has done.  Passing a bell-ringer collecting money for charity, Chester drops $5,000 into the man’s bucket.

At Smitty’s, the patrons are lifting Captain Atom up and cheering him.  Nate thinks he’s never felt so close to being a real super-hero.  A blonde woman in the bar flirts with Cap.  She says she’s Eve Eden, and that she and Cap have a mutual “uncle” who asked her to keep an eye on him.  Nate asks her out and they walk out of the bar, hand-in-hand.  Eve Eden is, of course, Nightshade.

Like I said, morose and bittersweet.  Bates and Weisman really captured how lonely it is to be Captain Atom.  He’s missed 18 years and life went on without him.  His children don’t even think of him or seem to miss him on this holiday.  It is really kind of touching.  I really loved this issue.  We have Nate sad and lonely, yet happy he’s free, the return of Nightshade into his life, the introduction of one of my favorite and little-used supporting characters (Harris Eiling), and Enemy Ace.  And I have absolutely nothing negative to say about Pat Brodericks artwork.  I think this may be one of my favorite issues of Captain Atom. A+

The cover alone warrants an A+.

DC Universe: Legacies #5 (November 2010) and #10 (April 2011)

Tags

Allen Passalaqua, Blue Beetle, Brad Anderson, Bronze Age Captain Atom, Captain Atom, Firestorm, Gary Frank, George Pérez, Jesus Saiz, Jon Sibal, Judomaster, Karl Story, L.A.W. Captain Atom, Len Wein, Modern Age Captain Atom, Nightshade, Oracle, Peacemaker, Red Tornado, Rob Leigh, Scott Koblish, The Question, Thunderbolt, Tom Chu

DC Universe: Legacies was a ten-part history of the DC Universe that spanned five generations, starting with the dawn of the Mystery Men to the modern era.  With the rebooting of the DC Universe and the advent of the New 52, it has become moot.  The Bronze Age Captain Atom and his old pals from the Sentinels of Justice (along with Judomaster, Thunderbolt, and Peacemaker) make an appearance in issue 5.  This panel was penciled by George Pérez, inked by Scott Koblish, and colored by Allen Passalaqua with text lettered by Rob Leigh.

DCU: Legacies #5

In DC Universe: Legacies #10, the Modern Age Captain Atom is seen at Sue Dibny’s funeral (his pals Red Tornado, Blue Beetle, and Firestorm are there along with many others).  This page was penciled by Jesus Saiz with inks by Karl Story and colors by Tom Chu.

DCU: Legacies #10

Later in this issue is a back-up story entitled “Snapshot: Redemption!”  Written by Len Wein with pencils by Gary Frank, inks by Jon Sibal, colors by Brad Anderson, and letters by Rob Leigh, this story is labeled “From the super-secret blog of Ted Kord, a.k.a. the Blue Beetle.”  In the telling of the history of the Blue Beetle, the rarely-seen L.A.W. Captain Atom pops up, along with Oracle, Judomaster, and Peacemaker.

DCU: Legacies #10

Captain Atom Annual #1 (1988)

Tags

Bob Smith, Captain Atom, Carl Gafford, Cary Bates, Dr. Megala, Duncan Andrews, General Eiling, Greg Weisman, Major Force, Martin Allard, Modern Age Captain Atom, Pat Broderick, Randall Eiling/Randy Adam

“The Dark Side of the Force”

• Writers:  Cary Bates & Greg Weisman
• Pencils:  Pat Broderick
• Inks:  Bob Smith
• Colors:  Carl Gafford
• Letters:  Duncan Andrews

Although this annual is cover-dated “1988,” it probably should have been the 1987 annual.  It picks up where Captain Atom #12 left off, and was on sale November 24, 1987.  But because comic books are dated 2-3 months after they are published (as are magazines, and I never knew why), this was the 1988 annual.  When annual #2 was published nine months later, it also bore the date “1988.”  So Captain Atom looks like it had two annuals in 1988 when really it was one in 1987 and one in 1988.

Confused?  Me too.

The annual opens to a radio broadcast in a small unnamed community.  Several listeners have reported a UFO in the skies that seems to have gone down in a nearby abandoned limestone quarry.  The DJ suggests that it all just some sort of government plot.  How right he is.

Meanwhile, in his apartment (I think maybe he lives in Washington, DC, but it hasn’t really been established with any certainty yet), Nathaniel Adam is awakened by a phone call.  General Eiling is ordering Captain Atom to investigate the crashed UFO.  Nate seems none too interested until Eiling tells him that Randy will be there.

Indeed, Majestic Squadron is on its way to the quarry via helicopter.  Randy is cracking jokes just like his dad used to do before a dangerous op.  Doctor Megala and General Eiling are watching Randy and Captain Atom’s individual progresses as they head for the crashed ship.

Captain Atom is first to arrive on the scene (aside from some locals).  He touches down in front of the large silver craft as it begins to open.  Cap tries to welcome the aliens to Earth, but the response he gets is an angry rock-man flying out of the open hatch (this is the fellow we met in Captain Atom #12, Clifford Zmeck – aka Major Force).  He lands and then stands before Cap, towering over him.  Nate tells the “alien” that he is his friend, impressing the locals who are watching (Nate is not in the loop – unaware that this alien is actually an Air Force Sergeant).  The alien smacks Cap, sending him flying.

So Cap gets pissed.  He tried the “diplomatic” approach.  Next he tries the “blasting quantum death into the face of the enemy” approach.  The locals cheer for Captain Atom as Megala and Eiling monitor the Major’s vitals.  When Cap goes to investigate the rock face he embedded the Major into, he is blasted by black matter.  Major Force leaps at Captain Atom, calling him “dork face.”

It is the use of the phrase “dork face” that tips Nate off that maybe this dude isn’t an alien after all.  Eiling is proud of “Mr. Zmeck.”  He poses a threat to Captain Atom that Nate hasn’t had to face yet.  Zmeck manipulates matter the way Nate manipulates energy.  It is a welcome surprise to Eiling.  Megala says the use of matter instead of energy could be from the amount of alien metal used on Zmeck, or the lower mega-tonnage of the nuclear device used; or even a variable they don’t even know.

Local news has picked up the battle, which appears to be at a stalemate.  Megala warns Eiling that Zmeck is about to enter his final molting stage.  Eiling orders his man at the scene to step in.

At the scene of the “crash,” a man dressed as an Air Force Major (but wearing green goggle-like glasses that Pat Broderick seems to love drawing) bursts into the crowd of onlookers, saying “My pal, the Captain, needs help.”  He repels into the quarry before the camera crew can get a good look at him.

Zmeck encases Captain Atom in a ball of matter.  Cap tries to break free, but can only manage to get his head and hand out before passing out (from exhaustion I guess).  The mysterious Major has Zmeck in his sights and fires his rifle at the beast just as the final molting process begins.  He then charges at Zmeck, who picks him up to break his back.  Zmeck passes out and the quarry fills with a thick black smoke that obscures the view from above.

Captain Atom revives and sees the alien ship open once more.  General Eiling and Dr. Megala emerge.  A medical team dressed in haz-mat suits check on Zmeck and the mysterious Major (who is actually Lieutenant Martin Allard).  Cap bursts out of his prison, angry that he was used by his superiors.  He says he’d heard rumors of a second experiment with the alien metal.  Eiling explains Major Force Project to Cap (which we learned about in Captain Atom #12).  He tells Cap that the “alien ship” is going to explode and he expects Nate to absorb the flames.  Megala makes a lame apology to Nate for using him like this.  He says Eiling threatened to simply kill Zmeck upon his arrival if Megala didn’t play along.

Cap asks Megala to “please just get out of my sight.”  The doctor follows Eiling into a tunnel that will protect the team from the blast.  The smoke clears just as Majestic Squadron shows up.  Randall Eiling requests a meeting with Captain Atom.  Nate ignores his son (much to his own disgust), picks up Major Force, and flies away.  He pauses long enough to absorb the explosion of the “space craft,” per General Eiling’s orders, before leaving the scene altogether.

Over the next few days, news programs report what little info they have on the crash.  The Air Force isn’t releasing any details, and the identity of the mysterious Major, Captain Atom’s “friend,” is still unknown.  Back at the base, Major Force has been debriefed and has a symbol etched onto his metal skin.  He doesn’t like the implants that monitor his every move or the Delta-9 gas pellets or the head-blowing-off explosives.  Megala doesn’t trust Zmeck but Eiling feels he has complete control over the Major.

Later, Captain Atom holds a press conference.  He explains that Major Force is his ally, an amalgam of the alien and his mysterious Major friend.

Over the course of the next ten days, it becomes clear what a menace General Eiling has unleashed upon the world.  In trying to stop up a breach in the Carson Dam (in Nevada, maybe?), Major Force inadvertently causes the crash of a rescue helicopter and the deaths of everyone on board.  Afterwards he is indignant with witnesses and brags about the thousands of lives he’d saved.  Later, when Major Force responds to a hostage crisis at a “downtown tenement building” (the city is still not identified), he guts the building, sending hostage-takers and hostages alike flying to the ground.  They end up in a local hospital’s ICU.

In an effort to distance himself from Major Force, Captain Atom appears on a news program called Newsprobe.  He apologizes to the public for unleashing Force upon them.  He pleads with Force to curtail future use of his powers.  Eiling, watching the broadcast while on the phone with Megala, thinks he can still spin the Major Force story positively.

Outside the studio, Major Force confronts Captain Atom.  He tells Cap that he’s right – Zmeck has no business being a super-hero.  Upon Force’s request, Cap gives him a lift to the base to see Eiling and Megala (Major Force does not have the ability to fly).  As they approach the base, Force grabs Cap around the neck.  Cap flips Major Force, pissed off that he has been drawn into Eiling’s insane plans.  He thinks to himself, “Never again!”

It appears that, due to his size and strength, Force begins to get the upper-hand.  However, just as he is about to blast Cap with matter, Allard uses the implanted explosives to blow off Major Force’s left hand.  Cap realizes Force is fitted with microphones, cameras, and explosives.  Eiling chides Allard, saying he was supposed to release gas, not blow off the Major’s hand.

“Sorry,” says Allard, “wrong button. Gas activated now.”  (Martin Allard has reason to hate Clifford Zmeck – the Air Force Sergeant killed Allard’s mother in 1969.)

The gas knocks the Major out.  Nate thinks to himself that Eiling made two mistakes.  The first was to underestimate how mentally unstable Zmeck was.  The second was to get Captain Atom involved in the first mistake.  Nate uses concentrated quantum blasts to etch something on Major Force’s chest before tossing the unconscious “super-hero” into Eiling’s headquarters.

Force crashes into Megala’s lab in front of General Eiling, Lieutenant Allard, and Dr. Megala.  Etched on Zmeck’s chest are the words, “I QUIT!”

I vividly remember the first time I read this issue, back in 1987.  It blew my poor little fifteen-year-old mind (for reasons I will clarify when I review Captain Atom #15… How’s that for foreshadowing?).  It was an exciting story.  I loved the idea of another quantum powered dude out there, a less-intelligent Moriarty to Captain Atom’s Sherlock Holmes.  I don’t know why Greg Weisman started shouldering the writing responsibility with Cary Bates, but they seemed to be a good team.  And Pat Broderick and Bob Smith did a great job.  An A effort all around.

This was another important milestone in Captain Atom’s history, although I did not realize it at the time I first read it.  From 1960 to 1975, Cap only appeared in 24 comics as a major character.  That’s just 24 issues spread out over 15 years (and two of those appearances were just in fanzines).  He was always on the fringe of the DC Universe from the time he was purchased from Charlton Comics.  He was included in the Crisis on Infinite Earths mini-series but not as a major player.  He really came into his own with this particular series, and was popular enough to warrant two annuals.  I remember (not knowing about the character’s history pre-1987) being anxious about how this was all going to play out when I was a kid.  Rereading this annual transported me back to simpler times in my life, when my $8 a week allowance was blown at Komix Kastle the day I got it.  Ah, youth.

Captain Atom #12 (February 1988)

Tags

Augustin Mas, Bob Smith, Captain Atom, Cary Bates, Dr. Megala, General Eiling, Greg Weisman, Major Force, Martin Allard, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, Randall Eiling/Randy Adam

“Sweet Dreams Major Force”

• Writers: Cary Bates & Greg Weisman
• Pencils:  Pat Broderick
• Inks:  Bob Smith
• Colors:  Nansi Hoolahan
• Letters:  Agustin Mas

What do you do when you create a super-hero so powerful he could give the God-like Superman a run for his money?  Who can you pit such a character against?  You can’t have him butting heads with other super-heroes all the time, can you?  No.  You create an all-new super-villain with comparable powers as a foil.  But first you try to pass him off as a super-hero.  And hope he never stuffs anyone’s dead girlfriend into a refrigerator.

It was November 3, 1987 that this issue was published (cover dated February 1988).  Captain Atom was no longer a freshman in the DC Universe.  It was the 38th appearance of the character since his reboot a year prior.  He’d made a name for himself in the pages of his own book and had played an essential role in Millennium.  Time for the Captain to face a new and deadly foe…

But not yet.  That’s still to come in Captain Atom Annual #1.  This issue is merely paving the way.

It begins in a lab.  A creature, referred to as “the Major,” is being monitored by General Eiling and Dr. Megala.  His temperature is 214 degrees Celsius and his weight is 505.46 pounds.  He is some distance away, being tracked from afar in a mobile lab.  Dr. Megala indicates that the Major is journeying through the quantum field, just as Nathaniel Adam did.  Nate’s arrival a year before was unexpected.  The Major, it seems, was expected.  The gear tracking him is all underground.  Eiling indicates that they are, indeed, prepared for “Major Force,” thanks to data they collected from Captain Atom’s trip through the quantum field.

Major Force materializes underground in the same molten stage Nate was in when he arrived.  Eiling wastes no time and hits the Major with Delta-9 gas, instantly incapacitating the Major.  Allard operates a winch to pull the Major to the surface.  He awakens just as they are lowering him into a truck, where he is hit with more gas and knocked out again.  Eiling showers Allard with praise, saying he knew he was the right man for the job.  It seems odd at first, but makes sense later on.

Allard’s mind wanders to a time when he was a child.  He was hiding in a closet in his home.  He opens the door slightly, obviously frightened.  All he can hear are “her” screams.

This scene parallels a memory Nate is having at the same time.  A young boy hiding in a closet; hiding from his father.  This young boy, though, is Randy Adam.  He is not hiding in fear.  He is playing hide-and-seek with his father, whom he calls “the greatest.”  This is the memory Nate’s mind is wandering over as he is being transported via helicopter to the Arctic headquarters of “Project Majestic.”

Nate (still using the name “Cameron Scott”) is paying a visit to his son Randy (aka Randall Eiling).  He hasn’t yet seen his son since he emerged from the quantum field with super powers.  He’s reconnected with his daughter Peggy but Randy considers his birth father a traitor and murderer.  As soon as he touches down and gets into the facility, he and his pilot see rushing soldiers and red flashing lights.  There is some kind of trouble in the field, where Randy currently is.

Back at Project Captain Atom, Lieutenant Allard, General Eiling, and Dr. Megala are overseeing the Major’s preparations.  While he is still in his “molten” stage, they are having microphones and cameras implanted within the Major’s (soon-to-be) metal skin.  He also has 63 Delta-9 micro-gas pellets implanted in his brow so he can be easily subdued.  Eiling isn’t taking any chances with this character.  He doesn’t want another Nate, disobeying orders left and right while being insubordinate.  He is also being implanted with an explosive in his neck, so that if becomes too unstable or dangerous they can literally blow his head off. Megala clearly doesn’t like it.  Allard clearly agrees with Eiling that the Major needs to remain under their constant control but still looks angry as he observes the operation.

Back at Project Majestic, the control room is abuzz.  They are tracking an unknown object and see that the Russians are tracking the same object.  Three Soviet tanks are headed for the object and it appears they will reach it before the Majestic team will.  Visibility in the blizzard outside is near zero.  When Nate’s pilot turns to address him, he discovers that Captain Scott has left the room.

Nate is out in the snow.  He “knows” someone who can help Randall Eilings team… the “silver guy.”  Randy, aboard a snow crawler called a “Locus,” determines that the object is broadcasting an energy signal into the sky at regular intervals.  It is clearly sending a signal to someone or something.  They find the object, which appears to be a small red probe of some kind.  It appears to be extra-terrestrial.

Captain Atom appears overhead, but doesn’t take any action at first.  He observes the American soldiers exiting their Locus and approaching the probe.  They are unaware that they are also being watched by a Soviet tank crew.  Eiling’s team does eventually spot the tank, but Eiling continues toward the probe.  Captain Atom admires his son’s “stones.”  Cap knows that the Soviets in general would want to avoid a confrontation, but the tank crew might not be so level-headed.  Also wary of starting an international incident, Cap burrows under the ice so he won’t be seen.  Cap melts the ice under the now two tanks on the scene and they sink.  One of the tank commanders calls for air support.

The probe has stopped broadcasting.  Eiling’s team have collected it and are hurrying toward the Locus when the Soviet plane arrives.  Their orders are simple.  If “Mother Russia” can’t have the probe, then no one can.  They open fire on the Majestic men, but Captain Atom absorbs the blast, hidden by cloud cover and the blizzard.  Randy thinks he sees something in the sky as he closes the hatch on the Locus.  The plane makes another pass, ready to fire its four remaining missiles.  Nate is seriously ticked off.  He does the “eye flare” thing as he retaliates.

Captain Atom blasts the plane, destroying it.  The pilot appears to be killed.  Super-heroes aren’t supposed to kill people, even Soviet soldiers.  What’s that about?  Superman wouldn’t have killed the pilot.

Back at Project Majestic’s base, Randy is clearly not impressed by Nate’s presence.  He refers to his father as “Captain Scott,” and shows him the respect he would to any officer that outranks him (Randy is a lieutenant).  Nate asks his son to not stand on ceremony with him as he is Randy’s father.  “Depends on your point of view, sir,” replies Randy.

Before walking out on Nate, Randy agrees to pass judgement on his father until Nate has a chance to “prove [his] side of things.”  But he also clearly has no interest in maintaining any sort of relationship with his father.  Randy is truly “General Eiling’s Man.”

The story then cuts back to Allard’s childhood memory.  He emerges from the darkened closet, terrified.  His mother has stopped screaming, but the “big man” is making sounds.  He watches in horror as the “big man” chokes his mother to death.  He doesn’t understand what he is seeing, but it will never go away.

The nightmare never ended for Allard.  The man who killed his mother was Clifford Zmeck, a former supply sergeant for the 601st Airborne, U.S. Air Force.  He was convicted of the rape and murder of Elaine Allard in 1969, sentenced to life in prison with no hope of parole.  After the apparent death of Nathaniel Adam, a new test subject was needed.  Zmeck was not a volunteer like Nate.  Almost a year to the day, the experiment that gave Nate his powers was recreated with Zmeck. 200% more alien alloy was used on Zmeck but the result was the same.  He appeared to be killed.

Of course, he was transported to the future just like Nate.  And in the lab, as Zmeck’s body lays prone in the next room, General Eiling confronts Lieutenant Allard.  He tells Allard he has read Allard’s file.  He knows Martin’s motivation for being involved in the Captain Atom/Major Force Projects.  He says he understands why Allard’s finger is hovering over the button that will detonate the charge in the Major’s neck, and wouldn’t blame Allard if he did it.

General Eiling refers to Martin Allard as “the true son of my heart.”  He has a proposition for Allard.  Whether Martin accepts or not, Eiling promises him that when the time comes, Allard will be the one who ends Major Force’s life.

To be continued in Captain Atom Annual #1.

This was an important issue.  Nate finally comes face-to-face with his estranged son.  Major Force emerges from the quantum field.  We get Allard’s back story.  It is great except for one thing.  The violent imagery doesn’t seem entirely necessary.  Did we really have to see Zmeck kill Allard’s mom?  I don’t argue that the image was powerful, and it did leave an impression on my fifteen-year-old mind when I saw it.  I just think maybe Broderick could have cut the panel short at Zmeck’s wrists.  And what’s with Cap killing that Russian pilot?  I know he was trying to kill Randy, but there were dozens of ways Nate could have subdued the pilot without killing him.  This issue was just so violent.  I give the story a C but Broderick’s art an A.  I mean, violent or not, unnecessary or not, that was a mighty powerful image.

The DC Comics Encyclopedia (2004)

Tags

Al Vey, Bronze Age Captain Atom, Captain Atom, Dan Jurgens, Daniel Wallace, George Pérez, Jerry Ordway, Josef Rubinstein, Ken Branch, Kevin Maguire, Marc Campos, Modern Age Captain Atom, Monarch, Phil Jiminez, Robert Greenburger, Scott Beatty

Released in 2004, this hardcover book had Who’s Who type entries for most DC characters and events.  Writing credits have been given to Scott Beatty, Robert Greenburger, Phil Jimenez, and Daniel Wallace.  Captain Atom appeared several times (the Modern Age Captain Atom primarily, but also the Bronze Age Cap and Monarch).  Hundreds of artists are credited but where in the book their work appears is not specified.  Most of the artwork, if not all of it, is recycled from previously published works.

The Modern Age Captain Atom drawing is from JLA-Z #1 by Dan Jurgens & Al Vey.  The JLI featuring the Cap is from JLA-Z #2 by Kevin Maguire & Josef Rubinstein.  The image of the Bronze Age Cap and others attacking the Anti-Monitor is from the cover of Crisis on Infinite Earths #12 by George Pérez & Jerry Ordway.  The Extreme Justice drawing is from the cover of Extreme Justice #0 by Marc Campos & Ken Branch.  I could not track down the artists behind the drawings of Monarch and the rendition of Zero Hour.

An updated and expanded version of the encyclopedia was released in 2008.

JLA Secret Files & Origins #3 (December 2000)

Tags

Blue Beetle, Booster Gold, Captain Atom, Captain Marvel (Shazam), Drew Geraci, Kevin Maguire, Modern Age Captain Atom, Mr. Miracle, Rocket Red #4, Tom McCraw

This page from JLA Secret Files & Origins #3 was penciled by Kevin Maguire and inked by Drew Geraci with colors by Tom McCraw.

The picture depicts Shazam! (aka Captain Marvel), Captain Atom, Booster Gold, Blue Beetle, Rocket Red #4, Mr. Miracle, and Oberon.  Not pictured above but part of the original two-page spread are Fire, Ice, Big Barda, Green Lantern Guy Gardner, Black Canary, Dr. Light, Batman, Max Lord, Martian Manhunter, and Dr. Fate.

Captain Atom #11 (January 1988)

Tags

Bob Smith, Captain Atom, Cary Bates, Duncan Andrews, Firestorm, General Eiling, Greg Weisman, Harry Hadley, Jerry Bingham, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, Silver Age Captain Atom

“A Matter of Choice”

• Writers:  Cary Bates & Greg Weisman
• Pencils:  Pat Broderick
• Inks:  Bob Smith
• Colors:  Nansi Hoolahan
• Letters:  Duncan Andrews
• Cover Artist:  Jerry Bingham

This issue came out October 6, 1987 and was a tie-in with the Millennium crossover event.  Since Cap was seen (briefly) in Justice League International #9, he appeared in Secret Origins #22, Blue Beetle #20, Millennium #3 & 4, Teen Titans Spotlight #18, and Action Comics #596.  Suicide Squad #9 leads into this issue and it is followed by Firestorm #68, both of which also feature Captain Atom.

Four of the books tied in with week four of Millennium had covers that combined (not perfectly) to form one complete picture.  They were Captain Atom #11, Spectre #10, Detective Comics #582, and Suicide Squad #9.

At this point in the Millennium story, Firestorm is working with the Manhunters, having been convinced they are his creators.  Captain Atom has been sent by General Eiling to butt heads with Firestorm in the swamps of Belle Reve, Louisiana.  He’s unhappy that Eiling has given him this assignment and he’s super unhappy that he has to deal with that “most immature hotheaded superhero on Earth” again.  But Cap is unaware of the changes Firestorm has recently undergone.

In the apex of a nuclear explosion were Ronnie Raymond, Martin Stein (the two people who make up Firestorm) and Mikhail Arkadin (a Soviet super-hero with nuclear powers of his own that went by the code-name “Pozhar”).  The result was that a new Firestorm emerged with a body created by Martin Stein but a consciousness that held both Arkadin and Raymond (neither of which had control over Firestorm at this point).  This change began in Firestorm: The Nuclear Man Annual #5 (which hit the shelves in July 1987, three months prior to Captain Atom #11).  Firestorm is still trying to figure himself out (FIRESTORM FAN calls him the “blank slate Firestorm.”  Captain Atom also refers to Firestorm’s “blank slate” in this very issue).

The first part of this book is narrated by Firestorm.  And when he first shows up on page 2, the artwork is just fantastic.  Pat Broderick actually drew Firestorm regularly from June 1982 to November 1983.  I don’t know if he had any great love for the character, but I certainly like his take on this version of the Nuclear Man.

Firestorm has thrown up a wall of flame to stop Captain Atom.  He is protecting a Manhunter stronghold.  Of course, Cap blasts right through this wall.  He flies toward Firestorm, who calmly asks Cap to “please disengage.”  Captain Atom keeps coming, and knocks Firestorm into the trees.  I think this proves who the hot-head really is.

Firestorm tells Cap that he has given his last warning.  He means to stop Cap from waging war on his creators.  Firestorm referring to the Manhunters as such leaves Cap somewhat taken off guard.  Firestorm whips up a pink “molecular storm” within a metal sphere to hold Cap.  Atom begins to suspect the nuclear man might be brain-damaged.  When he tried to blast his way out of the sphere, Cap finds his powers useless.  And Firestorm has locked himself in with Captain Atom.  He can regenerate the sphere’s shell as quickly as Cap can disintegrate it.  Checking his watch, Nate realizes he only has 55 minutes until the explosive (brought into the swamp by the Suicide Squad) detonates.  He decides to relax and have a chat with Firestorm.

Realizing that this new Firestorm has a very simplistic world view, Captain Atom attempts to explain why the Manhunters are a threat via a story.  He tells of a young boy with a love of airplanes and a gift for aeronautical design.  This boy, however, had an intense fear of flying.  Determined to rid the boy of his fear, his father took him to an airfield owned by a friend.  Explaining that he was a pilot himself, the father strapped the boy into a crop duster and took to the skies.

As they flew, the father talked to the boy, calming him and reassuring him.  Soon, the boy grew to love flying as much as he loved planes.  When he grew up, he joined the Air Force.  As a result, he one day became Captain Atom.  Firestorm says he realizes, thanks to the story, that it would be bad if the Manhunters prevented mankind from realizing their true potential.  But they have never given Firestorm a reason to distrust them (indeed, he is still convinced they created him).  Captain Atom realizes he’ll need another story.

So Cap makes a colossal mistake and shares with Firestorm a story from his “early” super-hero days when he was still “working in secret.”  He tells of a time when he was called upon by his superiors to assist in a search for two career military men who had stolen a van full of top secret government equipment and fled.  Cap was ordered to bring back the equipment and kill the two deserters.  Not liking the order, yet reluctant to disobey his C.O., Cap discovered the van and realized his intel was wrong.  It was a communications van and the two men were on death’s door with radiation sickness.  They had been exposed to radiation in atomic warfare tests in the desert.  They stole the van to take their story to the public, hoping the end result would be compensation to insure the welfare of their families when they succumbed to the sickness and died.  As they explained this to Cap, the Air Force fired an air-to-ground rocket at the men.

Captain Atom intercepted the rocket.  When the smoke cleared, he, the men, and the van were nowhere to be found.  Captain Atom had moved them to a new location and allowed them to broadcast their story.  His C.O. was furious, but Cap said he would not follow orders that he felt were unjust, choosing instead to follow the dictates of his own conscience.  The two men did receive compensation and all charges against them were dropped.

Firestorm darkens and says he understands. He understands that Captain Atom is a liar.  The Manhunters had revealed to Firestorm the true story of how he became a super-hero.  He knows Cap’s story is a lie.  He leaves the sphere, leaving Cap still trapped within.  Firestorm fills the sphere with “toxic gas” and taunts Captain Atom’s attempts to blast his way out.  Old flame-top turns out to be a bit of a bad-ass in this one.  I’ve certainly learned a lesson here – don’t EFF with the Nuclear Man!

At that moment, “a thousand miles to the northeast,” Captain Atom is missing an interview on WGTV.  G. Gordon Liddy is preparing to go on in his stead, but Harry Hadley is waiting in the wings.  He thinks he will go on instead of Liddy, and plans to expose the Captain Atom Project’s “Big Lie.”  A stage hand directs him to the alleyway outside the studio when Hadley begins to light a cigarette.  Outside, he is confronted by General Eiling.

Eiling reminds Hadley that no one from the Captain Atom Project is ever to appear in public anywhere near Captain Atom.  Hadley showing up at the studio at a time when Cap is supposed to appear is tantamount to treason.  When Hadley pulls a high-tech-looking gun, a sniper takes him down.  Eiling remarks that he had suspicions about Hadley all along.

Back in the swamp, Captain Atom is paralyzed in the sphere while Firestorm chides him.  Cap keeps thinking to himself, “Damn the lie.”  He’s beating himself up for lying to Firestorm.  He should have known that the Manhunters, with all their knowledge, would have briefed Firestorm on his true background.  He doesn’t blame Firestorm for not believing him.

Cap confesses that he lied.  He admits it was wrong.  He tries to point out that the Manhunters also lied to Firestorm.  Their plans to conquer the human race are the truth.  Firestorm angrily exclaims, “The truth?  Someone who has been living a lie still dares to talk to me of truth?”  Cap responds by telling Firestorm the whole truth about his past.

Captain Atom tells Firestorm that he was a convicted murderer.  He says that he was part of a secret government project in 1968.  Yadda yadda yadda, he recounts his origin.  We all know it.  He goes on to say that he wants to clear his name and reconnect with the children he left behind.  Firestorm says, “Enough!” and dissolves the sphere.  He tells Cap he is going with his instinct and following his conscience.  He realizes he’s been duped by the Manhunters and wants to help Cap now.

Explaining the bomb the Suicide Squad placed, Cap flies off with Firestorm.  The Squad won’t be able to evacuate from the blast radius in time.  They have less than a minute to act.  Firestorm says he knows what to do.

The bomb detonates.  Captain Atom absorbs as much of the blast as he can without bumping himself into the future again.  That which he cannot absorb is transmuted by Firestorm… into snow.  He says he saw the Suicide Squad escaping to the west; all of them are safe.  The target – the Manhunter base – was decimated.

Firestorm explains that he changed his mind about Cap when he heard him talk about his kids.  His intuition told him Captain Atom was being honest.  The two walk off together with Firestorm full of questions and Captain Atom declaring, “Super-hero school is now back in session.”

Generally I don’t like issues of comics that tie in with big crossover events, but I really dug this one.  It helped that at the time I was reading Firestorm and was invested in both he and Captain Atom.  It also helped that it was a good story.  Cap’s doubt and Firestorm’s ire were compelling.  I always like it when those two butt heads.  The art is great except for one little thing.  Pat Broderick’s style of drawing children is a little weird.  Like Steve Ditko, his kids seem really cartoony.  Other than that, great great work.  A for art and A for story.

DCU Heroes Secret Files & Origins #1 (February 1999)

Tags

Blue Beetle, Bob Layton, Captain Atom, Dick Giordano, Judomaster, L.A.W. Captain Atom, Matt Brady, Nightshade, Peacemaker, Sarge Steel, The L.A.W., The Question, Tom McCraw

This Who’s Who type entry for The L.A.W. was written by Matt Brady, penciled by Dick Giordano, and inked by Bob Layton, with colors by Tom McCraw.

It lists the members of The L.A.W. (Judomaster, Captain Atom, Sarge Steel, Peacemaker, Blue Beetle, Nightshade, and the Question) as well as their individual first appearances.  Cap was rarely seen in this costume.  The text of this piece is printed below.

“When the mysterious Avatar, believed by his followers to be the reincarnation of the Hindu Destroyer God, begins a campaign of terror against the world’s space programs, Captain Atom is captured – unknowingly becoming a part of the Avatar’s master plan.  Ordered by the president to stop the crisis at all costs, Sarge Steel recruits Nightshade, Blue Beetle, and the mysterious new Peacemaker to stand against the Avatar and his forces, the Ravanans.  Coming at the crisis from different sides, Judomaster and the investigative reporter Vic Sage (secretly the faceless crimefighter known as the Question), team with Steel and the others against the Avatar and his forces.

Can these heroes, collectively known as the L.A.W. (Last American Warriors), stop the Avatar and find the missing Captain Atom before the end of the world?

From Captain Atom’s quantum powers, to Blue Beetle’s techno-wizardry, to Judomaster’s martial arts mastery, the L.A.W. wield a varied arsenal of powers and abilities.”