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Splitting Atoms

~ A Captain Atom blog.

Splitting Atoms

Tag Archives: Augustin Mas

Audio

Silver and Gold Episode 14: The Man of Gold vs the Man of Steel!

07 Thursday Jul 2016

Posted by FKAjason in Captain Atom Versus Super-Villains, Espionage, Podcast, Silver and Gold

≈ 2 Comments

Tags

Alan Gold, Augustin Mas, Bob Smith, Booster Gold, Captain Atom, Carl Gafford, Cary Bates, Dan Jurgens, Dennis O'Neill, Dirk Davis, Duncan Andrews, Gene D'Angelo, General Eiling, Martin Allard, Mike DeCarlo, Modern Age Captain Atom, Pat Broderick, Plastique, Superman, The Cambodian, The Mongolian, Trixie Collins

Superman teaches Booster Gold a harsh lesson with his fists in Booster Gold (vol 1) #7 by Dan Jurgens, Mike DeCarlo, Gene D’Angelo, Augustin Mas, and Alan Gold. Captain Atom gets sucker-stabbed by the Cambodian while he’s chatting up Plastique in Captain Atom (DC, vol 1) #7 by Cary Bates, Pat Broderick, Bob Smith, Carl Gafford, Duncan Andrews, and Dennis O’Neil. And Roy and Jay are there to talk about it!

Music
Heart of Gold – The Roy Clark Method

Battle Without Honor or Humanity – Tomoyasu Hotei

Direct Link.

Also available on iTunes and Stitcher.

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Silver and Gold Episode 12: At Last! The Origin of Booster Gold

06 Monday Jun 2016

Posted by FKAjason in "The Lie", Captain Atom Versus Super-Villains, Podcast, Silver and Gold

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Alan Gold, Augustin Mas, Bob Smith, Booster Gold, Captain Atom, Carl Gafford, Cary Bates, Dan Jurgens, Dennis O'Neill, Doctor Spectro, Duncan Andrews, Mike DeCarlo, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, Skeets, Superman

Like Julius Caesar in 49 BC, FKAjason and Roy “Charlemagne” Cleary cross the Rubicon with Booster Gold, Skeets, Superman, and their new pal Z. Finally, the origin of Booster Gold is revealed by Dan Jurgens, Mike DeCarlo, Nansi Hoolahan, Augustin Mas, and Alan Gold. We then turn our sights on the new Doctor Spectro trying to get a piece of Captain Atom’s lie with Cary Bates, Pat Broderick, Bob Smith, Carl Gafford, Duncan Andrews, and Dennis O’Neil. All of this and more are found in today’s reviews of Booster Gold (vol 1) #6, and Captain Atom (DC, vol 1) #6. Plus, your listener feedback!

Music
Heart of Gold – The Roy Clark Method
Channel Z – The B-52’s
Kiss – Prince
With or Without You – U2

Direct Link.

Also available on iTunes and Stitcher.

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Silver and Gold Episode 10: Face Off

05 Thursday May 2016

Posted by FKAjason in Captain Atom Versus Super-Heroes, Podcast, Silver and Gold

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Augustin Mas, Bob Le Rose, Bob Smith, Booster Gold, Captain Atom, Cary Bates, Dan Jurgens, Dennis O'Neill, Doctor Spectro, Dr. Spectro, Firestorm, Janice Race, Mike DeCarlo, Mister Twister, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, The Irredeemable Shag

SNG10In this episode of Silver and Gold Podcast, Captain Atom faces off with Firestorm, the Nuclear Man! Dr. Spectro faces off with a journalist! Booster Gold faces off with a killer zamboni and the Metropolis hockey team! So many face offs we had to call in the Irredeemable Shag to help us out. We review the Booster Gold (vol 1) #5 story “Face Off” (by the creative team of Dan Jurgens, Mike DeCarlo, Nansi Hoolahan, Augustin Mas, and Janice Race) and the Captain Atom (DC, vol 1) #5 story “The Return of Dr. Spectro” (by the creative team of Cary Bates, Pat Broderick, Bob Smith, Bob Le Rose, Augustin Mas, and Dennis O’Neill).

Music
Heart of Gold – The Roy Clark Method

Purple Rain – Prince
Kiss – Prince

Batdance – Prince
Face Off – Bow Wow & Omarion

Direct Link.

Also available on iTunes and Stitcher.

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Silver and Gold Episode 07: Missing In Action!

04 Monday Apr 2016

Posted by FKAjason in Captain Atom's Family, Podcast, Silver and Gold

≈ 2 Comments

Tags

Anton Sarrock, Augustin Mas, Aunt Jeanie, Babylon, Blackguard, Bob Smith, Booster Gold, Captain Atom, Carl Gafford, Cary Bates, Dan Jurgens, Dirk Davis, Dr. Megala, General Eiling, Homer Lockleed, Margaret Eiling/Peggy Adam, Martin Allard, Martin Lockleed, Mike DeCarlo, Mindancer, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, Skeets, The Director, Thorn, Trixie Collins

This time out, Jay and Roy review Booster Gold (vol 1) #4 by Dan Jurgens, Mike DeCarlo, Nansi Hoolahan, and Augustin Mas. Thorn, Booster, and Skeets battle Mindancer, Blackgaurd, and the 1,000. Then we review Captain Atom (DC, vol 1) #4 by Cary Bates, Pat Broderick, Bob Smith, Carl Gafford, and Augustin Mas. Nathaniel Adam is finally reunited with his daughter after his 18-year-absence. Plus, scads of your listener feedback!

Music
Heart of Gold – The Roy Clark Method
Peaches – The Presidents of the United States of America
Silver and Gold – Pee Wee King

Direct Link.

Also available on iTunes and Stitcher.

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Silver and Gold Episode 05: Fighting Mad!

02 Wednesday Mar 2016

Posted by FKAjason in "The Lie", Captain Atom's Family, Origin Stories, Podcast, Silver and Gold

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Augustin Mas, Blackguard, Booster Gold, Bronze Age Captain Atom, Captain Atom, Dan Jurgens, Dirk Davis, Dr. Megala, General Eiling, Jeffrey "Goz" Goslin, Margaret Eiling/Peggy Adam, Mike DeCarlo, Mindancer, Modern Age Captain Atom, Nansi Hoolahan, Silver Age Captain Atom, Skeets, The Director, The Love Boat, Thorn, Trixie Collins

Booster_Gold_3In episode 05 of the Silver & Gold Podcast, we discuss Booster Gold (Vol 1) #3, The Night Has Two-Thousand Eyes (by Dan Jurgens, Mike DeCarlo, Nansi Hoolahan, and Augustin Mas), and Captain Atom (DC Vol 1) #3, Blast from the Past (by Cary Bates, Pat Broderick, Bob Smith, Carl Gafford, and John Costanza). Captain_Atom_Vol_1_3Also, FKAjason and Charlemagne’s secret origins are revealed, that’s what friends are for, Booster in peril, Thorn’s fashion choices, The Love Boat, Booster Gold looks like an idiot, typical Eddie, a wall of balls, Mindancer’s brain bolt, Firestorm as the star of the book, Captain Atom’s creepy meeting with his daughter, and Nate going critical.

Remember to use the hashtag #SNGPOD when commenting on social media!

Follow us on Twitter! (@SNGPOD4779)

Music
Heart of Gold – The Roy Clark Method
Gold – Spandau Ballet

Direct Link.

Also available on iTunes and Stitcher!

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Silver and Gold Episode 02: Enter Mindancer, Enter Madness!

12 Tuesday Jan 2016

Posted by FKAjason in Podcast

≈ 1 Comment

Tags

Augustin Mas, Booster Gold, Dan Jurgens, Knight Rider, Mike DeCarlo, Silver & Gold, Skeets, Star Wars, tom ziuko

booster.gold.02.01

After some brief Force Awakens spoilers and a correction to last episode (followed by more Star Wars talk), we review Booster Gold (volume 1) #02 by Dan Jurgens, Mike DeCarlo, Tom Ziuko, and Augustin Mas. We also cover a little Knight Rider, 80s comic smells, and listener feedback.

Music
Heart of Gold – The Roy Clark Method
Silver and Gold – Country Joe and the Fish

Download this episode now on iTunes!

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Silver and Gold Episode 01: First Issue Excitement!

22 Tuesday Dec 2015

Posted by FKAjason in Origin Stories, Podcast

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Ambush Bug, Angela Adam, Augustin Mas, Blackguard, Bob Smith, Booster Gold, Captain Atom, Carl Gafford, Cary Bates, Dan Jurgens, Dirk Davis, Dr. Megala, General Eiling, Jeffrey "Goz" Goslin, Jimmy Olsen, John Costanza, Mike DeCarlo, Modern Age Captain Atom, Pat Broderick, Skeets, tom ziuko, Trixie Collins

booster_gold_1In the first (and possibly last and only) episode of the Silver and Gold Podcast, Roy and Jay Discuss and review Booster Gold #1 (from February 1986 and written and drawn by Dan Jurgens with inks by Mike DeCarlo, colors by Tom Ziuko and letters by Augustin Mas) and Captain Atom #1 (from March 1987 and written by Cary Bates with pencils by Pat Broderick, inks by Bob Smith, colors by Carl Gafford, and letters by John Costanza).  The Silver and Gold theme song is Heart of Gold by the Roy Clark Method. captain_atom_1This podcast was inspired by Shag and Rob of The Fire and Water Podcast. If response to the podcast is positive, we will continue recording and make this a regular show.

Click on the link below to play this episode.

Silver and Gold #1

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Captain Atom #12 (February 1988)

18 Wednesday Dec 2013

Posted by FKAjason in Captain Atom's Family, Espionage

≈ 3 Comments

Tags

Augustin Mas, Bob Smith, Captain Atom, Cary Bates, Dr. Megala, General Eiling, Greg Weisman, Major Force, Martin Allard, Modern Age Captain Atom, Nansi Hoolahan, Pat Broderick, Randall Eiling/Randy Adam

“Sweet Dreams Major Force”

  • Writers: Cary Bates & Greg Weisman
  • Pencils:  Pat Broderick
  • Inks:  Bob Smith
  • Colors:  Nansi Hoolahan
  • Letters:  Agustin Mas

What do you do when you create a super-hero so powerful he could give the God-like Superman a run for his money?  Who can you pit such a character against?  You can’t have him butting heads with other super-heroes all the time, can you?  No.  You create an all-new super-villain with comparable powers as a foil.  But first you try to pass him off as a super-hero.  And hope he never stuffs anyone’s dead girlfriend into a refrigerator.

It was November 3, 1987 that this issue was published (cover dated February 1988).  Captain Atom was no longer a freshman in the DC Universe.  It was the 38th appearance of the character since his reboot a year prior.  He’d made a name for himself in the pages of his own book and had played an essential role in Millennium.  Time for the Captain to face a new and deadly foe…

But not yet.  That’s still to come in Captain Atom Annual #1.  This issue is merely paving the way.

It begins in a lab.  A creature, referred to as “the Major,” is being monitored by General Eiling and Dr. Megala.  His temperature is 214 degrees Celsius and his weight is 505.46 pounds.  He is some distance away, being tracked from afar in a mobile lab.  Dr. Megala indicates that the Major is journeying through the quantum field, just as Nathaniel Adam did.  Nate’s arrival a year before was unexpected.  The Major, it seems, was expected.  The gear tracking him is all underground.  Eiling indicates that they are, indeed, prepared for “Major Force,” thanks to data they collected from Captain Atom’s trip through the quantum field.

Major Force materializes underground in the same molten stage Nate was in when he arrived.  Eiling wastes no time and hits the Major with Delta-9 gas, instantly incapacitating the Major.  Allard operates a winch to pull the Major to the surface.  He awakens just as they are lowering him into a truck, where he is hit with more gas and knocked out again.  Eiling showers Allard with praise, saying he knew he was the right man for the job.  It seems odd at first, but makes sense later on.

Allard’s mind wanders to a time when he was a child.  He was hiding in a closet in his home.  He opens the door slightly, obviously frightened.  All he can hear are “her” screams.

This scene parallels a memory Nate is having at the same time.  A young boy hiding in a closet; hiding from his father.  This young boy, though, is Randy Adam.  He is not hiding in fear.  He is playing hide-and-seek with his father, whom he calls “the greatest.”  This is the memory Nate’s mind is wandering over as he is being transported via helicopter to the Arctic headquarters of “Project Majestic.”

Nate (still using the name “Cameron Scott”) is paying a visit to his son Randy (aka Randall Eiling).  He hasn’t yet seen his son since he emerged from the quantum field with super powers.  He’s reconnected with his daughter Peggy but Randy considers his birth father a traitor and murderer.  As soon as he touches down and gets into the facility, he and his pilot see rushing soldiers and red flashing lights.  There is some kind of trouble in the field, where Randy currently is.

Back at Project Captain Atom, Lieutenant Allard, General Eiling, and Dr. Megala are overseeing the Major’s preparations.  While he is still in his “molten” stage, they are having microphones and cameras implanted within the Major’s (soon-to-be) metal skin.  He also has 63 Delta-9 micro-gas pellets implanted in his brow so he can be easily subdued.  Eiling isn’t taking any chances with this character.  He doesn’t want another Nate, disobeying orders left and right while being insubordinate.  He is also being implanted with an explosive in his neck, so that if becomes too unstable or dangerous they can literally blow his head off. Megala clearly doesn’t like it.  Allard clearly agrees with Eiling that the Major needs to remain under their constant control but still looks angry as he observes the operation.

Back at Project Majestic, the control room is abuzz.  They are tracking an unknown object and see that the Russians are tracking the same object.  Three Soviet tanks are headed for the object and it appears they will reach it before the Majestic team will.  Visibility in the blizzard outside is near zero.  When Nate’s pilot turns to address him, he discovers that Captain Scott has left the room.

Nate is out in the snow.  He “knows” someone who can help Randall Eilings team… the “silver guy.”  Randy, aboard a snow crawler called a “Locus,” determines that the object is broadcasting an energy signal into the sky at regular intervals.  It is clearly sending a signal to someone or something.  They find the object, which appears to be a small red probe of some kind.  It appears to be extra-terrestrial.

Captain Atom appears overhead, but doesn’t take any action at first.  He observes the American soldiers exiting their Locus and approaching the probe.  They are unaware that they are also being watched by a Soviet tank crew.  Eiling’s team does eventually spot the tank, but Eiling continues toward the probe.  Captain Atom admires his son’s “stones.”  Cap knows that the Soviets in general would want to avoid a confrontation, but the tank crew might not be so level-headed.  Also wary of starting an international incident, Cap burrows under the ice so he won’t be seen.  Cap melts the ice under the now two tanks on the scene and they sink.  One of the tank commanders calls for air support.

The probe has stopped broadcasting.  Eiling’s team have collected it and are hurrying toward the Locus when the Soviet plane arrives.  Their orders are simple.  If “Mother Russia” can’t have the probe, then no one can.  They open fire on the Majestic men, but Captain Atom absorbs the blast, hidden by cloud cover and the blizzard.  Randy thinks he sees something in the sky as he closes the hatch on the Locus.  The plane makes another pass, ready to fire its four remaining missiles.  Nate is seriously ticked off.  He does the “eye flare” thing as he retaliates.

Captain Atom blasts the plane, destroying it.  The pilot appears to be killed.  Super-heroes aren’t supposed to kill people, even Soviet soldiers.  What’s that about?  Superman wouldn’t have killed the pilot.

Back at Project Majestic’s base, Randy is clearly not impressed by Nate’s presence.  He refers to his father as “Captain Scott,” and shows him the respect he would to any officer that outranks him (Randy is a lieutenant).  Nate asks his son to not stand on ceremony with him as he is Randy’s father.  “Depends on your point of view, sir,” replies Randy.

Before walking out on Nate, Randy agrees to pass judgement on his father until Nate has a chance to “prove [his] side of things.”  But he also clearly has no interest in maintaining any sort of relationship with his father.  Randy is truly “General Eiling’s Man.”

The story then cuts back to Allard’s childhood memory.  He emerges from the darkened closet, terrified.  His mother has stopped screaming, but the “big man” is making sounds.  He watches in horror as the “big man” chokes his mother to death.  He doesn’t understand what he is seeing, but it will never go away.

The nightmare never ended for Allard.  The man who killed his mother was Clifford Zmeck, a former supply sergeant for the 601st Airborne, U.S. Air Force.  He was convicted of the rape and murder of Elaine Allard in 1969, sentenced to life in prison with no hope of parole.  After the apparent death of Nathaniel Adam, a new test subject was needed.  Zmeck was not a volunteer like Nate.  Almost a year to the day, the experiment that gave Nate his powers was recreated with Zmeck. 200% more alien alloy was used on Zmeck but the result was the same.  He appeared to be killed.

Of course, he was transported to the future just like Nate.  And in the lab, as Zmeck’s body lays prone in the next room, General Eiling confronts Lieutenant Allard.  He tells Allard he has read Allard’s file.  He knows Martin’s motivation for being involved in the Captain Atom/Major Force Projects.  He says he understands why Allard’s finger is hovering over the button that will detonate the charge in the Major’s neck, and wouldn’t blame Allard if he did it.

General Eiling refers to Martin Allard as “the true son of my heart.”  He has a proposition for Allard.  Whether Martin accepts or not, Eiling promises him that when the time comes, Allard will be the one who ends Major Force’s life.

To be continued in Captain Atom Annual #1.

This was an important issue.  Nate finally comes face-to-face with his estranged son.  Major Force emerges from the quantum field.  We get Allard’s back story.  It is great except for one thing.  The violent imagery doesn’t seem entirely necessary.  Did we really have to see Zmeck kill Allard’s mom?  I don’t argue that the image was powerful, and it did leave an impression on my fifteen-year-old mind when I saw it.  I just think maybe Broderick could have cut the panel short at Zmeck’s wrists.  And what’s with Cap killing that Russian pilot?  I know he was trying to kill Randy, but there were dozens of ways Nate could have subdued the pilot without killing him.  This issue was just so violent.  I give the story a C but Broderick’s art an A.  I mean, violent or not, unnecessary or not, that was a mighty powerful image.

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Captain Atom #5 (July 1987)

04 Saturday May 2013

Posted by FKAjason in "The Lie", Captain Atom Versus Super-Heroes, Captain Atom's Family

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Augustin Mas, Babylon, Bob Le Rose, Bob Smith, Captain Atom, Cary Bates, Doctor Spectro, Dr. Megala, Firestorm, General Eiling, Jeffrey "Goz" Goslin, Mabel Ryan, Margaret Eiling/Peggy Adam, Modern Age Captain Atom, Pat Broderick

“The Return of Dr. Spectro”

  • Writer: Cary Bates
  • Pencils: Pat Broderick
  • Inks: Bob Smith
  • Colors: Bob Le Rose
  • Letters: Agustin Mas

This issue opens with journalist Mabel Ryan reading an article about Captain Atom to her publisher.  It is the story of Captain Atom (in his Bronze Age costume) fighting Doctor Spectro for the final time.  Of course, the story is totally bogus because Dr. Spectro and the Bronze Age Captain Atom are fabrications created by Eiling and his cohorts.  In the article (from a magazine or book entitled “Captain Atom Tells His Story”), just as it appears Spectro is getting the best of Cap, he goes nuclear and blows up Spectro’s base.  Cap sees Spectro escape in some sort of capsule and he is never heard from again.  Mabel is trying to convince her publisher to let her go out in search of Spectro.

Mabel says to her publisher (Walter) that Captain Atom has become a hot media property, joining the ranks of “…Max Headroom, Eddie Murphy, and Crocodile Dundee.”  Oh, brother.  What horribly dated references.  Well, it was 1987.

Back at the base, Dr. Megala is explaining to Nate what we’ve all already figured out.  When he absorbs too much energy (as he did in issue 3), he will be bumped forward in time equal to the amount of energy he has absorbed (what a crappy power).  He advises Cap to exercise moderation.  Nate, meanwhile, is playing with a yo-yo.

Babylon comes in with orders for Cap from Eiling.  Nate says he is on leave still and plans to take Peggy to the carnival.  Babylon chucks the orders as Nate leaves, much to the pleasure of Dr. Megala.  Nobody likes General Eiling.

Meanwhile, at a government building in downtown Washington, DC, Mabel has gotten a friend to pull some strings and is searching through a national database.  She won’t say what she is looking for, and instructs that the program they are running be deleted when they are done.

At the carnival, Nate and Peggy are riding kiddy rides with Goz.  When Nate goes for cotton candy, Peggy confides in Goz that her dad is sort of treating her like a kid.  He gave her the yo-yo.  She says her father seems oblivious to the fact that she is only five years younger than him.  Goz tells her to give Nate time, that her dad is still adjusting to his new world and life.  It is pretty clear that Nate told Goz and Peggy about the time-jump, but probably left out the Captain Atom part.  Goz sees another Airman at the carnival (he assumes the guy is looking for Cap) and excuses himself to go talk to the man.

When Nate rejoins Peggy, he asks after Randy.  He says whenever he brings his son up, Peggy changes the subject.  She says it is nonsense and quickly changes the subject.  A barker interrupts them and suggests Nate try and win a prize for his lovely girlfriend.  This pisses Nate off, but Peggy seems slightly amused.  Ew.

Meanwhile, Goz intercepts the Airman and takes Cap’s orders, promising to deliver them (he outranks the courier).  Then Goz slips into a photo booth and uses a little spy camera to snap some pics of Cap’s orders before delivering them to Nate.  Seems sketchy.  What’s he up to?

Later, in a “small midwestern town,” Mabel comes across a man named Tom Emery at a pool hall.  I’d like to know what is going on there, but we cut back to Nate and Peggy, who are visiting Angela’s grave.  Nate says he misses his wife, and doesn’t understand why she married Eiling.  Neither do I, Nate.

Goz makes his ill-gotten photos into slides and studies them.  Nate’s orders are written in a code that hasn’t been used since before the Vietnam War.  Goz is confident he can decode the message, and then “…I’ll know for sure if my gut is right about you.”

Back in the “small midwestern town,” Mabel is sitting in a poorly-lit office with Tom Emery (he appears to be the owner of the pool hall).  She explains how she used her government connections to create a database of people who could be Dr. Spectro.  She said that the top of the list was Roy G. Bivolo, the Rainbow Raider.  However, Bivolo was in prison at the time of Captain Atom’s last battle with Dr. Spectro.

But, Mabel says, Bivolo had a lab assistant who suddenly came into money a few years back and paid off all his debts.  A lab assistant named – yup, you guessed it – Tom Emery.  Emery tells Mabel that anyone who puts on a costume is a freak and tells her to get out.

Firestorm was on the cover of this issue.  He is in this comic, isn’t he?

On her way out, Mabel mentions the $50,000 advance her publisher gave her for Tom’s story.  This piques Tom’s interest, and the two of them drive off to his house (Tom makes sure she has a cashier’s check first).  During the drive, he comes clean about Dr. Spectro; that it was Tom, using Bivolo’s old equipment.  Of course, we know this can’t be true.  Dr. Spectro was made up, wasn’t he?

Later, at Wright-Patterson Air Force Base in Ohio, Captain Atom is on hand at the unveiling of a new plane.  There is a crowd of civilians watching, one of whom really seems to dislike Captain Atom.
Who is this brown-haired fellow who so dislikes Cap?  I would say it is Ronnie Raymond (AKA Firestorm), but Ronnie is a redhead.

Back at Tom’s place, he is showing off his equipment and telling Mabel “his story.”  He claims that he didn’t go in for goofy costumes or aliases because that just attracted attention from super-heroes.  Then he found out about a “secret” super-hero named Captain Atom.

Back at Wright-Patt, the demonstration of the “Vanquisher” goes on.  The general who is hosting the event describes the plane’s revolutionary automated guidance system, the new “Smart-A-Z-Z” (real subtle, Mr. Bates).  Just then, someone launches a heat-seeking missile at the Vanquisher.

The crowd panics.  The young man who has a hate-on for Captain Atom sees that Cap isn’t springing to action.  He decides to take matters into his own hands.
He transforms into Firestorm (pulling his cohort Martin Stein away from a delicious hoagy).  Finally, the Nuclear Man is on the scene.  Captain Atom quickly flies off after Firestorm, leaving Goz (whose presence here makes no sense and is mis-colored as a white guy) to observe “…these two are going to mix about as well as oil and lemonade.”

Cap tries words first.  Let it be known he didn’t start this.  He tells Firestorm to stand down.  Firestorm says Cap is afraid folks will see him for the “silver-plated phoney” he really is.  Stein (who is a disembodied voice in Ronnie’s head, for those who don’t know) advises Ronnie to use better manners.

Firestorm zips around Cap and flies after the plane.  Captain Atom again gets between Firestorm and the Vanquisher and tells him again to stand down.  Firestorm will have none of this and sucker-body-slams Captain Atom.

Firestorm fires some nuclear bolts at the missile (which both Ronnie and Stein think is weird for having not yet hit the plane), but Captain Atom deflects the beams and absorbs them.  Cap and Firestorm barrel head-first into each other as the missile makes contact.  Firestorm is knocked to the ground.

The missile was a dummy warhead, to demonstrate the plane’s maneuverability.  The Vanquisher lands safe and sound.  Captain Atom advises Firestorm to better assess the situation in future conflicts.  And, yeah, Ronnie’s a bit of a hot-head (pun intended), but how was he supposed to know it was a demonstration?  Go easy on the guy, Cap.
You too, Professor Stein.

In the crowd below, watching as Firestorm and Captain Atom fly off their separate ways, Goz gets a look at Cap with his binoculars.  He thinks, “Funny thing about that silver skin and those glowing eyes, ol’ buddy… together they do a great job of keeping your secret from just about everybody.  Almost everybody.”  So that’s what Goz’s gut is telling him; that Nate is Captain Atom.  Oh, and Goz is black again.

Back at Tom’s place, Mabel says she’s convinced that Tom is Dr. Spectro.  She gives him the cashier’s check and then uses Tom’s phone to call one of her associates, Sissy, back in Washington.  Sissy tells Mabel she’s stumbled upon a big story: Captain Atom’s entire origin story is a fake.  Sissy gets cut off (rather ominous) and Mabel dials another number.  She tells Tom she’s calling her publisher to stop payment on his check.

Tom admits he made everything up.  Then he uses one of Bivolo’s machines to incinerate Mabel.  He says that maybe the whole Dr. Spectro thing was made up, but he’s decided that he will be the new Dr. Spectro.

I expected better from Captain Atom’s first interaction with another super-hero.  I wanted more fighting.  Or talking.  Or anything, really.  After putting Firestorm on the cover, he doesn’t show up until halfway through the book.  But I liked the Dr. Spectro stuff in the beginning, from Cap’s fake past.  And I like Tom Emery (so far).  I’m very pleased that Cary Bates worked the Bronze Age villain into the Modern Age mythos.  The Tom/Mabel and Peggy/Nate stuff were this issue’s saving graces.  It earns the book a B for story.  A for art again.  I’m really digging Pat Broderick’s style, although I’m not crazy about Tom’s weird Harry Potter glasses.  I had a few complaints about the colors, but nothing major.  Overall, this is a B+ book in my opinion.

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Captain Atom #4 (June 1987)

25 Thursday Apr 2013

Posted by FKAjason in "The Lie", Captain Atom's Family

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Anton Sarrock, Augustin Mas, Babylon, Bob Smith, Cal Gafford, Captain Atom, Cary Bates, Dr. Megala, General Eiling, Homer Lockleed, Margaret Eiling/Peggy Adam, Martin Allard, Modern Age Captain Atom, Pat Broderick

“Father’s Day”

  • Writer: Cary Bates
  • Pencils: Pat Broderick
  • Inks: Bob Smith
  • Colors: Carl Gafford
  • Letterer: Agustin Mas

This story begins seven hours after Captain Atom absorbed the excess radiation of the disabled nuclear sub and vanished.  A Navy sub and battleship are at the site but have had no luck finding Cap.  The captain of the battleship calls it: Captain Atom has died in service to his country.

Five days later, back at the base, Eiling and Megala are meeting up.  Eiling tells a story about his dog dying when he was ten and that death is a part of life.  He and Megala agree, Captain Atom must be dead.  Eiling says he will notify the president once he has finished his tour of the Middle East.  Internally, he seems very pleased with this outcome.  He considers taking Margaret to dinner.

Meanwhile, Margaret (Peggy) Eiling (Adam) is meeting with her psychiatrist.  She is describing to him a nightmare she had in which she and Randy (as children) are attacked by a monster.  An armor-clad knight in white armor (hoo, boy) appears and rescues them.  He has their father’s voice, but when he removes his helmet, the knight has no face.  It is a recurring dream she has been having.  The doctor says it is not surprising that the knight has no face, as General Eiling destroyed all photographs of Nathaniel Adam when Peggy and Randy were very young.  She has no recollection of her biological father.  In the dream, Peggy and Randy are again attacked by the monster, but their dad takes off.  Peggy feels abandoned by her father.

The doctor feels confident he and Peggy can get past her daddy issues (Peggy’s not so sure).  Someone is watching her and keeping detailed notes as she leaves his office.

Later, as Babylon is walking Dr. Megala home, the doctor is reading a magazine article about Captain Atom.  He calls it insipid, worse than the TV interview Nate gave in the last issue.  Just as he is throwing the magazine in a nearby trash can, the back of a van opens up and a manic red-headed man with a complicated-looking weapon appears.  He is revealed to be Anton Sarrock, someone from Megala’s past who was in a straightjacket and padded cell last time Megala saw him.

Dr. Megala says, ” No one informed me you were out, Dr. Sarrock.  You really won’t last very long, you know.  Reality will again be your downfall.”  But there is no malice in his words.  You can tell by Megala’s eyes that he is surprised.  And that is not a typo – Megala’s eye patch (which he had three panels back) has vanished.  That may have been intentional, though.

Sarrock opens fire on Megala with his weapon, which turns out to be a particle wave beam.  Babylon jumps in front of the Doc, but the beams are deflected upward (much to Sarrock’s chagrin).  Captain Atom is hovering above them and has absorbed the beams, which he deflects back at Sarrock’s van, obliterating it.  Megala says he and Babylon never gave up hope, that they knew Nate was still alive (this is not what he said to Eiling).

Nate is angry about the charade he’s been living.  Megala tells him The Lie was a necessary evil.  Nate says, “Apology not accepted!” before vaporizing Megala.

Of course, it was a dream.  A nightmare.  Megala carries a lot of guilt concerning Nathaniel Adam.  When Babylon checks on the doctor, Megala is muttering in his sleep that he deserves to be damned and that it is too late to beg for Nate’s forgiveness.  This is why I think the exclusion of the eye patch was not a mistake; it was a dream sequence.

The next morning in the Eiling household, the General confronts Peggy about the man she was photographed with at the airport (Nate, in the last issue).  Eiling tells her the man is a deranged madman and that he would never bother her again.  Peggy is perturbed that her stepfather has her under surveillance.  He says he’s worried about her and sends her out to do her shopping.

In the next room, a young man is closely studying a picture of Peggy and thinking to himself, “Margaret Lockleed.  Homer and Margaret Lockleed.  Mr. and Mrs, -” when Eiling calls him in.  This is the man who has been tailing Peggy under Eiling’s orders.  The General tells Homer that he won’t need to follow his stepdaughter anymore.  The man from the photograph has been dealt with.  He tells Homer to return to the base and resume his normal duties.

Back in her therapist’s office, Peggy is bitching about her stepfather having her tailed.  She feels like she and Randy are just prizes he won when Angela Adam finally agreed to marry him.  She feels like he thinks of her as a possession.  She feels warmer towards her “long-dead” father than the man who raised her.  Peggy says she has an Electra complex, which she says is psychobabble for a daughter straddled with an unconscious obsession with her father.  Her doctor cuts her off because her hour is up.

Unbeknownst to Peggy, Homer is still following her.  He’s listened in on the whole conversation with a high-powered microphone like John Travolta had in Blow Out.  He thinks to himself that he now knows how to win Peggy’s heart.

Back at Megala’s house, the doctor is recording a journal entry in which he states that he now believes that Nate is dead.  He is interrupted by Babylon, who has spray-painted himself silver, donned some blue boots and red gloves, and painted a lopsided Captain Atom symbol on his chest.  He says he’s ready to take over for Nate, but he won’t allow Megala to detonate a nuke under his butt.  Megala and Babylon have a good laugh (aren’t they just the most adorable pair?).

Meanwhile, out in the ocean, the water begins to bubble and surge and out pops the real Captain Atom.

Back at the Eiling house, Peggy gets a phone call.  The caller identifies himself as her real father and he wants to meet with her.

Later that evening, Eiling is downstairs on his phone speaking to “Martin.”  He says he hasn’t seen Peggy all day and that if Martin’s “flake of a son has gone off the deep end” and done something untoward, he’ll wring the boy’s and Martin’s necks.  This would be Martin Lockleed he is talking to, but his conversation is cut short when Captain Atom arrives and tells the General to hang up or he’ll melt the phone.

Eiling asks Nate if he’s aware he’s been AWOL for six days.  Nate explains that he time-jumped again when he absorbed the radiation of the disabled sub.  Nate also says he has been a sap and a coward but on the ocean floor he realized that his children mean more to him than his own life.  He demands to know where Peggy is.  When Eiling doesn’t answer, Nate gets the angry eye flares, which seems to startle the General.  He confesses he doesn’t know where Peggy is, but suspects Homer Lockleed has taken her somewhere.

At this point, Allard enters and plays for them a recording off Peggy’s phone (Cap says, “You bugged Peggy’s phone?  Eiling, you’re one of a kind.  A real paragon of fatherhood.”  They learn that Peggy was to meet her “father” at the Lockleed Air Field at 9:00 pm, five minutes ago.  Eiling and Atom exchange a look, and Nate flies off toward the field.

Meanwhile, at the Lockleed Air Field, Peggy approaches a uniformed Air Force officer.  She realizes at once that the man (Homer Lockleed) is wearing make-up to make himself look older.  He says, “Your father’s never going to leave you again.”  He grabs Peggy, drags her onto a waiting plane, and flies off.

Captain Atom swoops in.  He grabs the plane and pushes it down onto the ground.  He punches through the roof and clocks Homer on the head.  Then he absorbs the flames off the damaged fuselage.

Peggy staggers off the plane, marveling at the fact that she is still alive and sees another Airman standing over the prone Homer Lockleed.  They then have a very touching exchange.

NATE:   Are you all right?
PEGGY: You–?!  You’re the captain I met at the airport.
NATE:   Not at the airport.  Southern General Hospital.  7:05 am.  August 9th.
1968.  The day we met you weighed six pounds, fourteen ounces.  You
had your mother’s eyes.  You still do.  I love you, Peggy.  I’m here for you…
here to stay this time.  If you’ll have me.
PEGGY: Omigod.  Its true.  It really is you.  (She rushes into her father’s arms.)
It was you all along.  The face from the armor… the face from my dreams…
the face of my father!
PEGGY and NATE embrace and weep. <SCENE>

I have to say, I love the human drama that is unfolding here.  Both Nate and Eiling care about Peggy, each showing it in their own way.  Perhaps Eiling doesn’t care quite as much, but he is a cold, cold bastard.  Megala is carrying a lot of guilt, over Nate and possibly over Anton Sarrock.  Homer is a seriously disturbed young man.

Cary Bates, wherever you are right now, pat yourself of the back, sir.  You and Pat Broderick have knocked this one out of the park. The story and art are just beautiful.  I give this issue of Captain Atom an A+.

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